Thinking Watercolor

Painting in watercolors, for me, is both an artistic and cerebral exercise. I am able to exercise my vision of something I see or want to paint, mixed with an emotional feeling as I do it. Feelings are a part of my process as I react to the colors, the mixing, the looseness of creating a watercolor. Watercolor is a medium that can be surprising, both controllable and uncontrollable, with happy “accidents” along the way. In this way, it is an artistic endeavor by the artist to create and interpret their vision onto a two dimensional surface.

The cerebral part of painting for me, is the planning of a painting and how to get some of the effects and results desired. Watercolor technique requires the artist to decide before they put a brush on the paper, where the lightest highlights, or white areas will be. The lightest area on any watercolor is the actual paper the artist uses. The technique of watercolor is to go from light to dark, using the additive nature of colors to create and define the painting. It is like “negative” painting where you add deeper colors to define the lighter areas and shapes, eventually “carving” out your painting and subjects. It is almost the polar opposite of oil color that is usually built from dark to light, with white highlights being the last thing applied. Having done both mediums, it is a wonderful exercise for the brain to manage.

Doing oils is new to me, and a wonderful adventure. I just have to make sure I “switch” my brain each time.

Why Watercolor

Why do I paint watercolors?

I don’t think there is one answer to why I choose to work with watercolors.

A simple one may be that it was a medium my mom used and it was something we did together. A more complicated reason is that it is a medium that is daring and often immediate, at times uncontrollable, often excitingly so. It can be soft and wispy like clouds, bright and daring like brilliant flowers. Colors blend through water, flowing into each other to create more colors, sometimes with unexpected, wonderful results. It can seem incredibly delicate but also allows for daring techniques to achieve special effects. It is probably the most challenging of the painting mediums as it can be most unforgiving. It is immediate in its nature and takes patience to master.

So why watercolors? Because…

It is challenging as well as rewarding. It is a medium that takes time to practice and a lot of forethought. It is exciting to experiment and learn from each painting and from fellow artists, and each painting is uniquely your own singular creation.

Like its namesake “water,” while you may guide, push and play with it, it flows and that is the beauty of it.